天下客家流行音乐 Global Hakka Pop MusicJuly 2 at 11:47pm ·
Brief Script for the presentation on the 2016 Toronto Hakka Conference: What’s New In Hakka Pop Music
客家流行音乐新动象
Sounds of Hakka
Colourful Plumage Dance of Tang Dynasty
霓裳羽衣曲舞
Play video 1.
Colourful Plumage Dance- Women's group dance
(霓裳羽衣舞-女子集体舞（范东凯，改编：彭阿兰）)
The 6th Emperor of Tang Dynasty -
the romance with the imperial concubine
Yang Yuhuan(楊玉环)
Video from Da Tang Furong Garden episode (大唐芙蓉园)
Play video 2.
Unfinished the Heavenly Song (Ref:《大唐芙蓉园》中的承天曲)
but do completed the Colourful Plumage Dance (霓裳羽衣曲舞), however the masterpiece had been lost in the following riots and wars. Only fragments were recovered later.
Li Bai: Qingpingdiao
Baijuyi: Everlasting Regret
(李白：清平调 与白居易：長恨歌)
One night: (a legendary dramatically scene)
Emperor Li Longji, the 6th King of Tang Dynasty said two Hakka words:
Green waist, Green waist - in brief, in brief to meaning.
(唐玄宗李隆基说了客家话：绿腰，绿腰-彔要的意思!)
Because the musical dance was too long, 36 Sections of it. The 6th King could not waited till it finished and complete the show. Note:
Emperor Li Longji was as a King from 712-756，44 years and dead at the aged of 78。
The popularty of in brief version (录要, 绿腰，六幺）did not get really done until the 9th King of Tang Dynasty.
The "In Brief"（緑腰）
If have time talks not details of this：
(新翻羽调绿腰：
《乐府杂录》中记载了唐德宗年间康昆仑与段善本赛琵琶的故事有关《绿腰》一曲。康弹琵琶被称为“长安第一手”，在一次音乐比赛中，他的一曲新翻 《羽调绿腰》 弹奏的精彩无比，自以
为无人可与之匹敌。谁知一女郎怀抱琵琶说：“我也弹《绿腰》曲，不过我移到枫香调上弹。”只听其下拨如雷，出神入化，技惊四座。康自叹不如，欲拜其为师。不料等女郎换衣再次出场时，根本不是什么女郎，而是庄严寺和尚段善本。第二天皇帝召见段善本，，令其教授康。段认为康的演奏非常杂乱且带邪声，让康十余年不弹琵琶，忘掉以前的弹奏方法，才肯教他。康按照段的话去做，果然把段的技艺全都学到了手。)
Why waited until the 6th King of Tang Dynasty to have the Musical Events been popular in Palaces?
It was not as thought
Since the records of history started, there been a form of musical event existed but not until the Shang Dynasty, we had the formal
Yan Ritual Music(燕礼乐) for different events in the palace. This was about two to three thousand years ago.
Show the nowadays video of Dabu Baihou funeral ritual music.
Play video 3.
Palace Music getting into formality
Not until the North Qi Kingdom, the "Soldiers Into The Array" got popular in the major event of home coming of general and soldiers in the palace.
A: Warrior Lanling into the array song (兰陵王入陣曲)。
Play video 4.
Show the part of the videos of
B: The Japanese version.Play video 5.
C: The modern composition of Mayday (五月天) in the tv episode. Play video 6. and
D: The drum-beating composition of a Tainan musical ensemble. Play video 7.
Starting from the Qi Kingdom to Tang Dynasty, the heritage and popularity of the Warrior into the array song had been there and named as the:
Qin King Destroying Military Array song (秦王破陣曲)by the warrior of the 2nd Emperor of Tang Dynasty in the year 633.
(秦王李世名击败刘武周后军中所作的。)
King Qin Destroying Military Array song:
Play video 8.
Warrior Lanling into the array song Wu Mei Niang
(兰陵王入陣曲武媚娘。)
The music had been turning to the softer-side.
Back to the
Colourful Plumage Dance of Tang Dynasty
Closing to the end of Tang Dynasty the Southern Tang Emperor Li Yu
(南唐李煜)attempted to recover and re-compose the Colorfu Plumage Dance Music from the fragmental remains. The tune was not the same as few hundred years ago anymore.
Even this was lost
during the riots and wars.
(五代时，南唐后主李煜得残谱，昭惠后周娥皇与乐师曹生按谱寻声，补缀成曲，并曾一度整理排演， 但已非原味了。)
However, Five of the scenes of a musical banquet had been captured in a set of 5 drawings without sounds though.
[又：韓熙載夜宴图
顾闳中，约910年生，980年逝世，五代南唐画家。江南人。元宗、后主时任画院待诏。工画人物，用笔圆劲，间以方笔转折，设色浓丽，善于描摹神情意态。存世作品有《韩熙载夜宴图》卷，绘写南唐中书侍郎韩熙载夜宴，该画构图严谨，人物造型秀逸生动，线条遒劲流畅，色彩明丽典雅，在技巧和风格上比较完整地体现了五代人物画的风貌，堪称中国画史上的名作。该画真实地描绘了在政治上郁郁不得志的韩熙载纵情声色的夜生活，成功地刻画了韩熙载的复杂心境。
韩熙载夜宴图
古代人物画杰作。但有人将此画断为宋人摹本，未得公认。这就是我们今天看到的，也是顾闳中唯一的传世作品，藏于北京故宫博物院。
全畫分五段，段落之間，以屏風、帳篷等相隔：
第一段「聽樂」，圖中人物有李嘉明、新科狀元郎粲、太常博士陳志雍、紫薇郎朱跣、善舞少女王屋山等；
第二段「觀舞」，韓熙載親自擊鼓伴奏，王屋山翩翩起舞；
第三段「歇息」，畫面由動轉入靜，有客披被而眠，韓熙載坐在榻上與侍女調情，有一侍女以琵琶遮面；
第四段「清吹」，韓熙載右手持扇，正在欣賞樂隊吹奏笛簫；
第五段「散宴」，人們依依不捨。
]
The only copy we have now is part of it called "Colorful Dress Prologue No.1" by a musician Jiang Kui in the Southern Song Dynasty in the year of 1186. (南宋姜夔：丙午（1186）年间，姜白石旅居长沙，一次登祝融峰在乐工故书中偶然发现了商调霓裳曲的乐谱十八段，他为“中序”第一段填了一首新词，即《霓裳中序第一》,连同乐谱一起被保留了下来.)
However the tune of this one is different from the Tang Dynasty as noted by another muscian Mr.Shen in the "Music Law" chapter of his book "Dream Pool Essays" in the later analysia by others. They are of different tunes.
【《霓裳中序第一》，词牌名，是姜夔所填“商调”曲。其小序云：“丙午岁，留长沙，登祝融，因得其祠神之曲，曰《黄帝盐》、《苏合香》；又于乐工故书中得《商调·霓裳曲》十八阕，皆虚谱无辞。
按沈氏（括）《乐律》（《梦溪笔谈》），《霓裳阕’，此特两阕，未知孰是？然音节闲雅，不类今曲。予不暇尽作，作‘中序’一阕，传于世。予方羁游，感此古音，不自知其辞之怨抑也。”（《白石道人歌曲》卷三）双调一百零一字，前片七仄韵，后片八仄韵，例用入声部韵。前片第四句第一字是领格，宜用去声。】
Then come the Yuan Dynasty
And the masterpiece Got transformed into another name called, Green Skirt Girdle (翠裙腰).
It is sourced from the "In Brief" or phonetically written as "Small Six" (录要，六幺).
Following suite in the Ming dynasty, i.e., after the less than hundred years Yuan Dynasty, on these tunes, the masterpiece becomes these few modern versions.
A. Play video 9.
Shannxi musical school version on "In Brief" ("新翻羽调绿腰”) by Yang ZheMing (楊洁明) B. Play video 10.
Cantonese ver called "12 Harpined Girls Along the 12 Railings - Tsui Qun Yao" (
"十二栏杆十二钗翠裙腰”)
Picture of the Yuan Musical Sheet on "Green Skirt Girdle" (翠裙腰工尺谱)
Play Picture 14.
Picture of the Global Hakka Pop Music network
Play Picture 15.
Can I get a dot more from you on the map?
http://peraktaipu.org
Collaboration in the 150 Yuan Dynasty Hakka Han Yue Samplings:
Appendix
Gold, water, earth, wood, gourd, leather, silk, bamboo
(金、石、土、木、匏、革、丝、竹)
Hakka Musical temperament: the 8 sounds not quit the composition of eight of these temperament.
Play video 16.
The recent musical instruments show in Beijing Exhibition:
Play photo album "bjMusicalInstruEX"
The End & Thank You!
See Translation
FinalAssgn-Intro2MusicTheory
GSG Blues transformed from an old Yuan Tune named as genre Green Skit Girdle (GSG).
SOUNDCLOUD.COM|BY NAMLOW
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发表于 2016-7-4 22:14:45
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